Call for papers

The 28th Biennial Symposium of the International Scientific Committee for Documentation of Cultural Heritage(CIPA2021)will be held in Chinese mainland for the first time in 2021. In order to welcome this grand meeting, we specially solicit conference papers from all over the world. Once the paper is approved by experts, it will be published on the world’s top journals such as SPRS Annals and Archives (indexed).

The paper collection system is expected to be launched on November 30

Important dates​

February 28th 2021.

Deadline for abstract submission and EARLY registration

May 31th 2021.

Notification of oral and poster presentations.

June 15th 2021.

Official deadline for contribution submission

July 1st 2021.

Deadline for REGULAR registration,since July 2nd on-site registration only.

July 15th 2021.

Actual deadline for contribution submission (after postponed)

August 29th 2021.

Opening of the symposium

How to submit a Paper ​

Guidelines to submit your papers(via ConfTools).

Step 1: Set up your own user account on the ConfTool Conference Administration(https://www.conftool.org/cipa2021/)

Step 2: Select Create account and submit contribution under the account login field.

Step 3: Fill out the required fields and select Submit and Begin With the Submission of a Comtribution or Create User Account Only , Submit Contribution Later. Please note that you must select the CIPA2021 theme that is the most relevant to your contribution.

Submission of a Contribution – Step 1, You will be then asked to provide some details relating to your contribution, such as authors, organization, abstract (resume of extended abstract or full paper) and keywords.

Submission of a Contribution – Step 2, At the bottom of this page, you  may select the “choose file” button to upload your Extended Abstract or Full Paper that follows the formatting in the provided template.

 

PRESENTATION FORMATS:

Papers can be submitted in the following formats:

Abstracts: The abstract should be no more than 1000 words, possibly with figures, and should be submitted as PDF file. No specific template is given.

Full papers: The full paper submitted for the reviewing process or as final paper must be formatted following the ISPRS format (download here the PDF or DOCX template), with a max length of 8 pages.

Main topics

There are 29 sub-topics which your paper should be relevant to. You may submit your paper to the most relevant one in order to get it read by the specialists of specific areas.

Session A: Collecting and Inventorying Data of Monuments and Sites

Topic #1:Data collection methods and inventory technologies (RS/GIS/GNSS).

Topic #2:Photogrammetry and remote sensing (space, aerial and ground).

Topic #3:Application and special processing of information collection and technology inventory in special scenarios.

1.Historic buildings with wooden structure

2.Urban heritage properties and historic streets

3.Underwater archaeology and underwater heritage properties

4.Cultural heritage properties in war and armed conflict

5.Island properties as cultural heritage

6.Uniqueness of World Cultural Heritage

Topic #4:Recovery, restoration and perseverationof cultural heritage and its digital inventory.

Topic #5:Inventory and preservationof the intangible cultural heritage .

Topic #6:Development of new technologies and case studies.

Session B: Management of Heritage Data and Preventive Conservation

Topic #7:Monitoring, simulative, early-warning and adaptive measures for monuments and sites.

Topic #8:Innovations in technical integration for heritage information management system and several cases.

1.IoT technology

2.Big data 3.technology

4.BIM/3DGIS

5.AR/VR/MR

6.AI

Topic #9:Rules for data identification,processing, categorization and indexing systems.

Topic #10:Heritage informationmanagement and storage aided by 3D printing technology.

Topic #11:Fragility, preventive assessment and risk management of cultural heritage.

Topic #12:Tools and solutions for noninvasive detection of cultural heritage.

Session C: Interpretation and Presentation of Cultural Heritage

Topic #13:Innovation and practices in the activation and promotion of industrialheritage properties.

Topic #14:Narrative interpretation of stone carvings and murals in cave temples.

Topic #15:Interpretation of wooden structure of buildings.

Topic #16:Digital restoration technology for cultural heritage and several cases.

1.Image mosaicing

2.Color restoration

3.3D reconstruction

Topic #17:Innovations and practices: interpretation and presentation of cultural landscapes/cultural routes.

Topic #18:Interpretation and creative practices of the intangible cultural heritage.

Topic #19:Innovative cloud presentation technology for museum displays and good practices.

Session D: Digitalization of Cultural Heritage in Post-Pandemic Era

Topic #20:Innovating immersive experience and the industry of culture and tourism.

Topic #21:Cultural heritage enriching scenario-based education.

Topic #22:Integrating traditional culture into pan-entertainment industry, in particulareSports.

Topic #23:Digital economy serving the cultural heritage sector.

Topic #24:“New Infrastructure Construction” of Smart City empowering digital-based creative industry.

Topic #25:Marketing of cultural and creative products in the era of media cloud broadcasting.

Session E: Ethical Value and Public Participation

Topic #26:Authenticity in digital inventory and presentation of cultural heritage.

Topic #27:Transnationalproperty conservation and digital collaboration .

Topic #28:Public awareness, obligations and involvementof the social sector.

Topic #29:Public accessibility to cultural resources and protection of intellectual property rights.

General Remarks​

You may make modifications to your contribution(s) at any time prior to the deadlines.

The contributions should have prominent highlights, organized structure, concise content, sufficient argument, reliable data and clear figures and images.

We recommend that the paper is carefully compiled and thoroughly checked, in particular with regard to the list of authors, before submission in order to avoid last minute changes.

The submission of a paper (and acceptance as poster or oral presentation) carries with it the obligation that it is actually presented at the meeting by the author or by one of the co-authors.

Authors take full responsibility for consequences of the submitted contributions.